Throughout the animation, in addition to the dancing movement throughout, there is also a character at the end of the hands to raise the lamp action.
I modified similar motion-capture data to generate a new animation sequence. Below is a screenshot of my steps:

By adding hand details to an ordinary standing movement, the whole movement is achieved. The specific use of the dynamic arrest modification method is basically the same as that mentioned in the previous article, and this article will not be repeated.

Set the lens placement and the lens movement – scene 1

In this shot, what I want to achieve is that the camera is advancing with the butterfly flying, so I need to make sure that the butterfly is in the frame. At the same time, in order to make the butterfly fly more vividly, I sway the butterfly from side to side, so that it appears in the process of right to left to right of the picture, so that the butterfly finally passes the role and falls into the flowers.

This shot, which I will use as the opening shot, introduces the whole story through the butterfly.

Set the lens placement and the lens movement – scene 2

This shot takes up a relatively large proportion of the entire animation. Through this shot, I will use butterflies to connect with the previous shot. At the same time, there are many dancing movements in this shot that need to be shown, so I will introduce the characters and show their dancing movements by cutting from the long distance to the close range.

In this shot, I hope to show the dancing of the characters in all aspects, so I will use some different angles to shoot the characters.

The above are pictures taken from different camera angles in the camera

Set the lens placement and the lens movement – scene 3

This is the war scene, through the characters close cut to the whole scene, to give the audience visual shock

At the same time, in order to connect these three different scenes with the same characters, I made the same action for all three scenes to transition